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Jude Anthony Joseph’s ‘2018: Everyone is a Hero’ draws in very broad strokes, but in the end it’s a solid portrayal of a tragic era.
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Interview: Vijay Anthony (Pichaikkaran 2)
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Reader Post #576: Book Review: The Last Mughal Empire by William Dalrymple
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Interview with IIT Madras BS Film Institute
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My interview on Mindscape Matters
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Interview: Mr. Shriram and Mr. Shridhar Raghavan
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Anup Singh’s “Song of the Scorpion” (Irrfan Khan, Golshifteh Farahani) is a minimalist, brilliantly twisted and obsessive love story
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A Little Rumination 95 – Naturalism vs. Realism
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Reader Post #575: PS-2 Comes with the Soul Untouched
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Reader Post #574: PS-2 and why it’s riddled with the same problems that plagued the later seasons of GoT
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Interview: Vetri Maaran, Gautham Vasudev Menon, Rajiv Menon (Extended Director’s Cut of Vidutalai – Part 1, ZEE5)
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My interview on the Shin Pad podcast
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Mani Ratnam’s ‘Ponniyin Selvan 2’ is more dramatic, sadder and more serious in tone, a fulfilling conclusion to the two-part epic.
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Lights, camera and analysis: Dharani Rasendran (Yaathisai)
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Bitty Ruminations 94 – Mani Ratnam, ARR and “mainstream”
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Reader Writes #573: Objects in the Rearview Mirror: 90’s Kollywood
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Interview: Mani Ratnam / AR Rahman (PS-1, PS-2, working together for over 30 years…)
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Reader Post #572: Thoughts on Katuvakura Rendu Kadar
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Reader Post #571: Web Series Review – Jubilee – On Mice and Humans, Stars and Black Holes
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As common star vehicles go, Farhad Samji’s ‘Kisi Ka Bhai Kisi Ki Jaan’ (Salman Khan, Pooja Hegde) is now publicly viewable
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Spotify: Cinema with BR Episode 16: 40 Years of Mani Ratnam
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Arsheek Abu’s “Neeravelicham” (Tovino Thomas, Rima Kalingal) successfully recreates the retro look and feel, but lacks the emotional connection
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Readers Write In #570: The Golden Age and All About Jazz
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Dharani Rasendran’s striking ‘Yathisai’ is an imaginative historical novel about brutal warfare and the male psyche.
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Interview: Priyanka Chopra Jonas, Richard Madden (Citadel…)
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Reader Post #569: Dil Chafta Hai: Narrator and Memories
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Reader Writes #568: Objects in the Rearview Mirror: 80’s Kollywood
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Interview: Rima Kalingal, Tobino Thomas, Aashik Abu (About Neelavericham, Vaikom Muhammad Bashir, Bhargavi Nilayam…)
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“Spotify: Cinema with BR” Episode 15: Vidutalai, Violence, Vetrimaaran and more.
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A more cinematic vision was needed to make Gunasekar’s devastating ‘Shaakhuntalam’ a masterpiece
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Bitty Ruminations 93 – Ask for help (with some help from lyricist Valli)
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“The Abyss” – English translation of Jeyamohan’s Tamil novel “Ezhaam Ulagam”
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Interview: ZEE 5 Directors Muthukmar (Ayali), Prasanth Pandiyaraj (Vilangu), SR Prabhakaran (Sengalam)
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Reader writes #567: The value journaling has brought to my life
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Spotify: Cinema with BR Episode 14: Movies in Fast Forward Mode
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Sirjun KM’s ‘Burqa’ is, indeed, a solid, intentionally theatrical (and gorgeously filmed) discussion of Islamic practices
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Interview: Vikramaditya Motwane, Aditi Rao Hydari, Prosenjit Chatterjee and others (Jubilee, Prime Video)
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Lights, Cameras, Analysis: Priyadarsi, Venu Yerdandi, Hersis Reddy (Baragamu, now on Prime Video)
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Interview: AR Murgados (16 August 1947, next co-starring with Sivakarthikeyan, once proposed Vijay and Ajith duo film, etc.)
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Bitty Ruminations 92 – The Equation of Friendship
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Reader Write #566: Vidutalai Review
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Interview: Soori (Vidutalai)
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Presentation (drum roll)…The second bonus from the right of WEAPON
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Spotify: Cinema with BR Episode 13: Answering Listener Questions About Vetrimaaran
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Srikanth Odela’s ‘Dasara’ is a solid, subdued star car that prefers emotions to ‘mass’ moments.
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Director Vetrimaaran’s “Vidutalai – Part 1” lacks the raw punch of “Visaranai,” but it’s still a worthwhile coming-of-age action drama to watch.
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Reader Writes #565: Book Review: The Hidden Life of Trees by Peter Wallleben
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Ajay Devgn builds a rugged (but versatile) star vehicle from LokeshKanagaraj’s rugged (but versatile) star vehicle.
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Oberi N. Krishna’s ‘Patu Tara’ is a contrived action film preserved only by Silambarasan
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Interview: Anubav Sinha on Sine Curve Reactions to 2.0 Avatars From ‘Ra.One’, ‘Mulk’ to ‘Bheed’ and Why He Was Discouraged