I support Madhusudhan’s view of Nayakan.
As the years went by, Thalapathi was a simpler and more straightforward film, with better songs, great camera work from Santosh Sivan, and a great eye-catching Rajinikanth performance, so if people compared them, Thalapathi will look and feel like a better movie than Nayakan. – An opener for today’s kids who only think of Rajini as the person who romanced Nayantara in Anna Atte.
Nayakan’s novelty of the then-unseen frame-in-frame Illuttu Room Cinematography wore off, and Kamal’s performance, especially his crying, was derided.
I had no problems with Agni Nachathiram.
The Mouna Ragam is still a great watch thanks to Revathi’s character, which you don’t see in movies today.
Anjali is easy to follow, but sometimes feels like children are doing too much for their age.
Geethanjali, it’s been a long time since I last saw that.
Pagal Nilavu isn’t too bad, but it felt like it could have been directed by someone other than Mani Ratnam and ended up being the same movie.
Despite sugar-coating youth politics, Aayutha Ezhuthu will get even more love thanks to a hyperlinking narrative and a script that never leaves you feeling bored for a single moment.
(Though it’s not a pre-Roja movie)
But Idaya Kovil, Yebba Sammy!!
Kadal, Kaatru Veliyidai and CCV la kooda had 5 to 10 good scenes.
Great Dan Aval.
If someone asked me which terrible movie had the best soundtrack of all time, my choice would certainly be this one.
likelike
